I’m a day person — I’m even a bit suspicious of nights. Too mysterious, forbidding, no orientation, no proper grid.
Maybe there’s also an artistic reason: a day scene is more conducive to being drawn. I remember being frustratrated as a child, attempting to draw an even night sky with felt tip pens.
Living in Berlin, one has to get used to little daylight for a few months. I had to find my peace with all this darkness. Over the years I was even able to to find joy in the mess of multiple light sources, both natural and artificial.
Most importantly: I love the idea of midnight. In the middle of all the darkness, an invisible switch is flicked, and time is reset. A new day, week, year. Out with the old, in with the new.
Dahlem, Berlin
New York City
Wooster Street, New York City
Large format silkscreen. Available here.
Notre Dame, Paris
The Hollywood Roosevelt, L.A.
(A silkscreen version of this drawing comes with “Hopes & Dreams”, a book with drawings from Los Angeles. Available here.).
Observatory, Los Angeles.
Large Format silkscreen. Available here.
Lützowstrasse, Berlin
Berlin Midnight
Silkscreen. Available here.
Lucky Bar, Los Angeles.
(From “Hopes & Dreams”, a book with drawings from Los Angeles. Available here.).
Kaikoura, New Zealand
Brooklyn Bridge Park
” Voices of Change Night”
Silkscreen. Available here.
Bad Gastein, Austria
Karl-Liebknecht-Strasse, Berlin
Large Format silkscreen. Available here.
Night Stroll on Faro
Santa Monica
Tour Eiffel
Atlantic Ocean
We released a special edition calendar with high res art prints of some of the most popular ink drawings.